![]() ![]() ![]() Diagram of the relationships between deictics and body movementsģ. Work, text, and performance in Monteverdi’s OrfeoĢ. The Aesthetics of Nothing: Monteverdi, Marino, and the Incogniti Įpilogue: Subjectivity, Theatricality, MultimedialityĪppendix 1: Tables of Contents of the Madrigal BooksĪppendix 2: Monteverdi, Combattimento di Tancredi e Clorinda: Text and Translationġ. Who is Speaking? From Soggetto to Dialogo.In Search of Voice: Musical Petrarchism in the Sixteenth-Century Madrigal From Petrarch to Petrarchism: A Rhetoric of Voice and Addressĥ. In keeping with a commitment to support environmentally responsible and sustainable printing practices, UC Press has printed this book on Rolland Enviro100, a 100% post-consumer fiber paper that is FSC certified, deinked, processed chlorine-free, and manufactured with renewable biogas energy. Manufactured in the United States of America Includes bibliographical references and index.ġ. Library of Congress Cataloging-in-Publication Dataįrom madrigal to opera : Monteverdi’s staging of the self / Mauro Calcagno. © 2012 by The Regents of the University of California For more information, visit University of California Press Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Of the University of California Press Foundation. The Ahmanson Foundation Humanities Endowment Fund The publisher gratefully acknowledges the generous support of ![]()
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